AF3-018E
COLOR DISPLAY FILMS
FUJITRANS CRYSTAL ARCHIVE DISPLAY
MATERIAL
1.
FEATURES AND USES
3.
SAFELIGHT
FUJITRANS CRYSTAL ARCHIVE DISPLAY MATERIAL
is film designed for the production of color transpar-
ency displays. It enables a variety of exposure meth-
ods to be used – from contact or normal enlargement
printing using internegatives or color negatives, to
fast, digital image exposure by laser light.
This film is suitable as a large-sized color medium for
advertising and display work.
Features
Results
For an extra margin of safety this film should be
handled in total darkness. If the use of a safelight is
unavoidable, to ensure no film fogging results, refer to
the following.
• The recommended safelight filter is the Kodak
Safelight Filter No. 13 (or Fuji Safelight Filter No.
103A). Use this filter in conjunction wih a 10 watt
tungsten lamp. Be sure also to work at least 1 m
from the safelight and to finish printing within 1
minute.
• Safelight filters tend to fade with extended use and
need regular checking. Replace when film fogging
is detected.
• Since exposed film is easily subjected to safelight-
induced sensitivity increase in exposed areas, be
sure that handling precautions are taken.
• Minimal changes in
• Superb Reciprocity
sesitivity and gradation
Characteristics (High
regardless of exposure
Suitability for Digital
either by tungsten or
Image Exposure)
laser light sources.
• Rich Gradation and
• Smooth and natural
gradation reproduction,
Well-controlled Gray
from the highlights to
Balance
the shadows, as well as
neutral grays over the
entire density range.
• Maximum density, along
with distinct reproduc-
tion of shadow details,
even when exposed
quickly by laser or other
strong light sources.
• Vibrant Color Repro-
• More faithful and vibrant
color reproduction of
duction
greens, blues, and
yellows, for high color
saturation essential to
display materials.
• True-color images with
• Highest Level of
minimal reduction in
Color Image Stability
image density even in
long-term displays under
the most severe condi-
tions.
4.
RAW FILM STORAGE
This film is subject to deterioration in photographic
performance and finished quality when stored for a
long time under high-temperature and high-humidity
conditions, even if used before the indicated expira-
tion date. For this reason, always store raw film in a
cool, dark place at a temperature of 10°C (50°F) or
less.
5.
FILM HANDLING
Because the film is easily marked by fingerprints or
stained by contaminants, always wash your hands
thoroughly, or put on clean cotton gloves before han-
dling the film.
The film sheets are encoded with a notch, which is
located in the upper right-hand corner when the emul-
sion surface is facing toward you.
2.
BASE MATERIAL AND THICKNESS
PET base: about 180 µm (7 mil.)
1
FUJIFILM DATA SHEET
¥
FUJITRANS CRYSTAL ARCHIVE DISPLAY MATERIAL
6.
PRE-EXPOSURE HANDLING
RA-4RT
Processing Conditions
Processing
Steps
Raw film which has been stored at 10°C (50°F) or less
should be kept in its moisture-proof wrap and allowed
to warm to room temperature prior to being opened. If
the film is removed from its packaging immediately
after being removed from refrigerated storage, con-
densation will form on the surfaces, resulting in print
color change and easily damaged surfaces. The short-
est periods required to return freezer or refrigerator-
stored film to room temperature (minimum tempera-
ture equalization periods) are as follows.
20°C (68°F) Temperature Equalization Periods
Unit: Hours
Storage Temperature
Time
(sec.)
110
110
220
Temperature
°C
°F
Basic Replenish-
ment Rate
ml/m
2
495*
495
—
—
ml/ft
2
46.0
46.0
—
—
Color Developer
Bleach-Fix
Wash
Dry
35±0.3 95.0±0.5
30 to 36 86 to 97
30 to 40 86 to104
as needed 50 to 70 122to158
*
Film Size
127cm × 30m (50in. × 100ft)
50.8cm × 61.0cm(20in.× 24in.)
–20
°C
(-4
°F
)
7
5
0
°C
(32
°F
)
6
4
10
°C
(50
°F
)
4½
2½
If the processing solution replacement ratio (pro-
cessor utilization) is low, it may be necessary to
increase replenishment rates. For example, if the
solution replacement ratio is between 4 and 7%,
the replenishment rate should be 581 ml/m
2
(54
ml/ft
2
). If it is less than 4% the replenishment rate
should be 861 ml/m
2
(80 ml/ft
2
).
9.
RETOUCHING
NOTES
• Do not heat film to speed up tempera-
ture equalization.
• Remove the entire quantity of film to be
used on any day from refrigeration dur-
ing the previous day.
This film can be retouched on both its emulsion side
and its base side with either retouching pencils or re-
touching dyes manufactured for this purpose.
10.
RECOMMENDED LIGHT SOURCE
7.
POST-EXPOSURE, PRE-PROCESSING
HANDLING
This film has enhanced post-exposure latent image
stability. However, if the latent image remains un-
processed for extended periods of time under normal
room conditions or is subjected to high temperatures
or humidity, changes in the image and color balance
may occur.
• The time between exposure and development
should be fixed for purposes of uniform quality.
Rather than holding exposed film for processing
the next day, initiate processing as soon as pos-
sible.
As the light source for finished display material, fluo-
rescent lamps are generally the most practical. To pro-
duce the best results, however, use only high-quality
fluorescent lamps with good color-rendering qualities.
11.
• Sheets
Size
FILM SIZES
Sheets/box
10
20
50
¸
¸
20.3cm × 25.4cm (8in. × 10in.)
27.9cm × 35.6cm(11in.× 14in.)
40.6cm × 50.8cm(16in.× 20in.)
50.8cm × 61.0cm(20in.× 24in.)
76.2cm × 101.6cm(30in.× 40in.)
¸
¸
¸
¸
8.
PROCESSING
Optimum performance is derived with any equipment
using Proces RA-4RT. With this process, the time for
both color development and bleach-fix is 110 sec-
onds. Processing steps are as indicated in the follow-
ing table.
NOTE
Size availability is open to change.
2